Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it out in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for that unrest? Katniss. And what's worse, President Snow has managed to get clear that no-one else remains safe and secure either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one with the most mentioned books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended as a trilogy. Did it genuinely end the way you planned it through the beginning?

A: Very much so. While I did not know every detail, of course, the arc in the story from gladiator game, to revolution, to war, for the eventual outcome remained constant throughout the writing process.

Q: We understand you worked for the initial screenplay for a film to be based on The Hunger Games. What is the biggest distinction between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. When you're adapting a novel in a two-hour movie you can not take everything with you. The story has to become condensed to fit the modern form. Then there is the question of how best to look at a magazine told within the first person and present tense and transform it in to a satisfying dramatic experience. In the novel, you don't ever leave Katniss to get a second and are privy to any any of her thoughts so you will need a strategy to dramatize her inner world and to generate it feasible for other characters to exist outside of her company. Finally, there is the challenge of how to present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A large amount of situations are acceptable on a page that couldn't survive on a screen. But how certain moments are depicted may ultimately be inside director's hands.

Q: Do you think that you're capable to consider future projects while working on The Hunger Games, or are you immersed in the world you get lucky and be currently creating so fully that it is simply too challenging to consider new ideas?

A: I've several seeds of ideas going swimming inside my head but--given much of my focus is still on The Hunger Games--it will likely be awhile before one fully emerges and I can begin to develop it.

Q: The Hunger Games is a yearly televised event where one boy and one girl from each with the twelve districts is forced to participate in the fight-to-the-death on live TV. Exactly what do you believe the appeal of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an curiosity about seeing who wins. The contestants are usually unknown, which ensures they are relatable. Sometimes they've got very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I find very disturbing. There's also the opportunity for desensitizing the audience, so that once they see real tragedy playing out on, say, the news, it does not contain the impact it should.

Q: In case you were forced to compete within the Hunger Games, exactly what do you think that your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope will be to obtain hold of a rapier if there were one available. But the reality is I'd probably get in relation to a four in Training.

Q: What do you hope readers can come away with after they read The Hunger Games trilogy?

A: Questions about how elements in the books may be relevant of their own lives. And, if they are disturbing, the things they might do about them.

Q: What were some of the favorite novels when you had been a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time it can be for world control. While it is really a clever twist on the original plot, it indicates that there is certainly less focus about the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life right into a less vibrant Katniss by displaying despair both at those she feels in charge of killing and and also at her own motives and choices. This is definitely an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels and the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are well evidenced in the voice, which goes from rage to puzzlement for an unsure come back to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts such as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each and every in the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.